乾龍亞洲貿易有限公司

Pure Class GD amplifier technology

Audiotec Fischers proprietary Pure Class GD concept takes the efficiency of conventional Class D amps to the next level. By varying the internal supply voltage depending on the amplifier’s input signals, idle losses are significantly reduced and overall efficiency is close to maximum at any time. 
So heat dissipation is almost negligible thus allowing smallest heat sinks and most compact form factors. Besides that Pure Class GD amp outperforms conventional Class D designs in terms of sound quality by implementing a fully differential signal path and improved output filter design.

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TwinDSP Power

The V EIGHTEEN DSP contains two of the most powerful 64 Bit audio signal processors from Analog Devices with the outstanding overall calculating power of 2.4 billion MAC operations per second. The TwinDSP Power concept makes the 20 separately processed channels and the numerous new sound features possible.

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ACO – Advanced 32 Bit CoProcessor

The HELIX V EIGHTEEN DSP amplifier incorporates an extraordinary powerful 32 Bit CoProcessor of the latest generation for all monitoring and communication tasks, both internally and externally. In opposite to the 8 Bit predecessor generation this MCU achieves way higher speeds with respect to setup switching and data communication with our DSP PC-Tool software. A further significant advantage is the integrated, native boot loader of the CoProcessor. It allows software upgrades of all components of the DSP in order to adjust the microcontroller-controlled ADEP.3 circuit for example at future modifications / changes in the diagnostic system of factory radios or if the device will be extended with additional interfaces. In addition, thanks to the new flash memory, the ACO offers 10 memory locations for sound setups instead of the common two.

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Smart highlevel input ADEP.3

Modern, factory-installed car radios incorporate sophisticated possibilities of diagnosing the connected speakers. In particular the latest generation of car radios are equipped with additional monitoring functions so that failure messages and loss of specific features (e.g. fader function) quite often appear if a common amplifier will be hooked up – but not with the V EIGHTEEN DSP.
The new ADEP.3 circuit (Advanced Diagnostics Error Protection, 3rd Generation) avoids all these problems without loading the speaker outputs of the OE radio during high volumes unnecessarily.

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Power Save Mode

The Power Save Mode is incorporated in the basic setup. It allows to significantly reduce the power consumption of the amplifiers that are connected to the HELIX V EIGHTEEN DSP once there’s no input signal present for more than 60 seconds. Please note that in many up-to-date cars with “CAN” or any other internal bus structures it may happen that the radio remains “invisibly” turned on for up to 45 min. even after locking and leaving the car! Once the “Power Save Mode“ is active the remote output and therefore the connected amplifiers will be turned off.
The V EIGHTEEN DSP will reactivate the remote output within a second if a music signal is applied. It is possible to either modify the turn-off time of 60 sec. or completely deactivate the “Power Save Mode” via the DSP PC-Tool software.

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Start-Stop capability

The switched power supply of the HELIX V EIGHTEEN DSP assures a constant internal supply voltage even if the battery’s voltage drops to 6 Volts during engine crank.

Note: “The Bluetooth® word mark and logos are registered trademarks owned by Bluetooth SIG, Inc. and any use of such marks by Audiotec Fischer GmbH is under license. Other trademarks and trade names are those of their respective owners.”

TuneEQ

TuneEQ is an extremely flexible and particularly easy-to-use function for automated frequency response correction. A single measurement per audio channel or channel pair with a suitable measurement microphone (e.g. our MTK1) is sufficient for TuneEQ to independently and precisely adjust the equalizers to the desired reference curve. TuneEQ uses the full function set of the parametric equalizer including center frequency, Q-factor and gain adjustment. And since the highly complex arithmetic operations required for this run in the background, you also save a lot of time when optimizing your sound with TuneEQ.

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RealCenter

The “RealCenter” feature is an algorithm, developed by Audiotec Fischer, that emphasizes the music information which is present in both the left and right front channel to create an unique center signal. In contrast to common procedures, in which only the channels are summed up, the intensity of the center signal is also dynamically controlled by the stereophonic informational content of the left and right channel.

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Sounds complicated but this effect is astonishing: That means if solely the left or right channel delivers an audio signal, the center channel will not reproduce a signal. In the case of common algorithms, the volume level of the center channel is only reduced by 6 dB (= half volume level). Audiotec Fischer’s “RealCenter” allows a unique, broadened sound staging for both driver and co-driver at the same time! Therefore, the disadvantages of a conventional center channel, such as an intrusive, small sound stage, are things of the past.

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Augmented Bass Processing

Audiotec Fischer’s proprietary “Augmented Bass Processing”, consisting of the two revolutionary sound features “Dynamic Bass Enhancement” and “SubXpander”, has been especially developed to dramatically improve the bass reproduction of subwoofers.

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The “Dynamic Bass Enhancement” ingeniously combines maximum deep bass and highest sound pressure – regardless of the music style or the tone controls in the head unit. Depending on the input signal, the “Dynamic Bass Enhancement” gains the lower frequency range and varies the cut-off frequency of the subsonic filter. The result is a significantly more powerful and deeper bass response at low and medium volume levels without the risk of overloading the subwoofer neither mechanically nor electrically at high volume levels. It is simply fascinating which bass performance is suddenly possible.

If you want an even lower and “darker” bass reproduction, the “SubXpander” can be additionally activated. Therefore, subharmonic tones are added to the fundamental tones in the frequency range between 50 and 100 Hz.